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Washing day (A woman washing clothes in a large tub)

Washing day (A woman washing clothes in a large tub)

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Five Yoshiwara women playing the game of Utagaruta (poetry card game)

Five Yoshiwara women playing the game of Utagaruta (poetry card game)

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Lady eating, Harunobu Suzuki, Woodblock Print, Japan

Lady eating, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady looking at toy, Harunobu Suzuki, Woodblock Print, Japan

Lady looking at toy, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady holding rat, Harunobu Suzuki, Woodblock Print, Japan

Lady holding rat, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady with branch and vase, Harunobu Suzuki, Woodblock Print, Japan

Lady with branch and vase, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Court lady looking at view of Sumida River

Court lady looking at view of Sumida River

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Text page, Harunobu Suzuki, Woodblock Print, Japan

Text page, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A young woman holding a cage containing a canary, and sitting on the floor before her a young man who is slipping a love letter under the cage.  In the background a branch of an uma tree in bloom appears through the black arch of an open window

A young woman holding a cage containing a canary, and sitting on the f...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A tall oiran in front of a joroya accompanied by her two kamuro

A tall oiran in front of a joroya accompanied by her two kamuro

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Samidare (The fifth month, rain), Harunobu Suzuki, Woodblock Print, Japan

Samidare (The fifth month, rain), Harunobu Suzuki, Woodblock Print, Ja...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A young woman reading a love letter  while seated upon the back of a huge carp swimming over the waves

A young woman reading a love letter while seated upon the back of a h...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Women viewing the cherry blossoms at Higurashi.  A bronze statue of Hotei is partially seen under a thatched roof at the right

Women viewing the cherry blossoms at Higurashi. A bronze statue of Ho...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Lady with tea?, Harunobu Suzuki, Woodblock Print, Japan

Lady with tea?, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Standing lady fixing her hair, Harunobu Suzuki, Woodblock Print, Japan

Standing lady fixing her hair, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady arranging flowers in vase, Harunobu Suzuki, Woodblock Print, Japan

Lady arranging flowers in vase, Harunobu Suzuki, Woodblock Print, Japa...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady burning letter(?), Harunobu Suzuki, Woodblock Print, Japan

Lady burning letter(?), Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady contemplating blank sheet of paper; drawing on floor in foreground

Seated lady contemplating blank sheet of paper; drawing on floor in fo...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A ferry boat crossing the Sumida River  from Mukojima

A ferry boat crossing the Sumida River from Mukojima

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Actors dancing (in character as Goro and Juro)

Actors dancing (in character as Goro and Juro)

Kunisada was a trendsetter in the art of the Japanese woodblock print. Always at the vanguard of his time, he continuously developed his style, which was sometimes radically changed, and did not adhere to styli... More

Seated lady combing her hair, Harunobu Suzuki, Woodblock Print, Japan

Seated lady combing her hair, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady playing stringed instrument, Harunobu Suzuki, Woodblock Print, Japan

Lady playing stringed instrument, Harunobu Suzuki, Woodblock Print, Ja...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady seated at table, writing, Harunobu Suzuki, Woodblock Print, Japan

Lady seated at table, writing, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Risshun (The beginning of Spring), Harunobu Suzuki, Woodblock Print, Japan

Risshun (The beginning of Spring), Harunobu Suzuki, Woodblock Print, J...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady playing shell game (looking left)

Lady playing shell game (looking left)

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Standing lady tying sash, Harunobu Suzuki, Woodblock Print, Japan

Standing lady tying sash, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Watanabe no Tsuna and the Oni (demon) at the Rasho gate of Kyoto

Watanabe no Tsuna and the Oni (demon) at the Rasho gate of Kyoto

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Tomoe Gozen, concubine of Kisz Yoshinake, killing the strong man Uchida Ieyoshi at Awazu no Haru in 1184

Tomoe Gozen, concubine of Kisz Yoshinake, killing the strong man Uchid...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

A snowy morning in a Green House, Torii Kiyonaga

A snowy morning in a Green House, Torii Kiyonaga

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Watanabe no Tsuna and the Oni (demon) at the Rasho gate of Kyoto

Watanabe no Tsuna and the Oni (demon) at the Rasho gate of Kyoto

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Three women walking accompanied by a boy carrying a pot of fukujuso

Three women walking accompanied by a boy carrying a pot of fukujuso

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

The duet, Harunobu Suzuki, Woodblock Print, Japan

The duet, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Atsumori and Kumagai, Harunobu Suzuki, Woodblock Print, Japan

Atsumori and Kumagai, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Women cutting mulberry leaves and feeding the pieces to the young silkworms

Women cutting mulberry leaves and feeding the pieces to the young silk...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Women gathering silkworm cocoons, Shunsho Katsukawa

Women gathering silkworm cocoons, Shunsho Katsukawa

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Sashie.  A group of men and women making merry upon the balcony of a joroya on the bank of the river Sumida.  Right-hand sheet of a diptych

Sashie. A group of men and women making merry upon the balcony of a j...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Minamoto no Yoshitzune, the most famous of Japanese heroes, in full armor, mounted upon his black horse Sarusumi

Minamoto no Yoshitzune, the most famous of Japanese heroes, in full ar...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Lady with box, Harunobu Suzuki, Woodblock Print, Japan

Lady with box, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady cooking, chopsticks in hand, Harunobu Suzuki, Woodblock Print, Japan

Lady cooking, chopsticks in hand, Harunobu Suzuki, Woodblock Print, Ja...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady looking right, gesturing, Harunobu Suzuki, Woodblock Print, Japan

Seated lady looking right, gesturing, Harunobu Suzuki, Woodblock Print...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Two girls looking at picture books and a third standing by them on the veranda of the house letting down a bamboo curtain

Two girls looking at picture books and a third standing by them on the...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

The Iris Garden, Torii Kiyonaga

The Iris Garden, Torii Kiyonaga

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Two groups of women on the bank of the river Sumida

Two groups of women on the bank of the river Sumida

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

The actors Sawamura Gennosuke and Iwai Kiyotaro at a feast in the Yoshiwara house called Miuraya on New Year's Day

The actors Sawamura Gennosuke and Iwai Kiyotaro at a feast in the Yosh...

Public domain photo of Japanese woodblock print, Ukiyo-e, free to use, no copyright restrictions image - Picryl description

Four sheets of courtesans celebrated in the time of the painter

Four sheets of courtesans celebrated in the time of the painter

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

The actors Adzuma Tozo and Ichimura Manzo as Manzai dancers

The actors Adzuma Tozo and Ichimura Manzo as Manzai dancers

Torii Kiyomasu II (鳥居 清倍, c. 1720–1750), like the rest of the Torii artists, in billboards and other images for the promotion of the kabuki theatres. His prints, like many at the time, were made largely using... More

Small boys playing they are in a boat.  One is poling it and another holds up a kakemono on a stick to represent a sail

Small boys playing they are in a boat. One is poling it and another h...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady smoking pipe, book on floor, bedding nearby

Lady smoking pipe, book on floor, bedding nearby

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Miura no Osuke, famous as a long-lived hero, defending himself in his old age from Wada

Miura no Osuke, famous as a long-lived hero, defending himself in his ...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

A young girl making her toilet before a mirror and holding up another to get a view of the back wave of her hair, and behind her a youth reaches out from the behind the fusuma and tickles her foot with a stick.  Beside her is a black and white cat with a red ribbon around its neck

A young girl making her toilet before a mirror and holding up another ...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Iris and water plants, Shunsho Katsukawa, Kitao Shigemasa

Iris and water plants, Shunsho Katsukawa, Kitao Shigemasa

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Ume (plum), Harunobu Suzuki, Woodblock Print, Japan

Ume (plum), Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady arranging flowers, Harunobu Suzuki, Woodblock Print, Japan

Lady arranging flowers, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady reading, bedding to the left

Seated lady reading, bedding to the left

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady with paper and scissors, holding origami

Lady with paper and scissors, holding origami

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Walking lady; tree pattern on kimono

Walking lady; tree pattern on kimono

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Moon gazing (August), Harunobu Suzuki, Woodblock Print, Japan

Moon gazing (August), Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Yuki (Snow), Harunobu Suzuki, Woodblock Print, Japan

Yuki (Snow), Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Two women with wide straw hats, under a willow tree in an autumn gale. Wind-blown suzuki grass indicates the season of the year

Two women with wide straw hats, under a willow tree in an autumn gale....

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Women and children watching the flight of silkworm moths

Women and children watching the flight of silkworm moths

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Yuki (Snow), Harunobu Suzuki, Woodblock Print, Japan

Yuki (Snow), Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

An oiran setting forth for a promenade accompanied by her two kamuro and a maid servant

An oiran setting forth for a promenade accompanied by her two kamuro a...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A young woman seated upon a bank getting a light for her pipe from a youth who stands bending forward toward her, on the road above.  Background of rice fields and a farmer's house

A young woman seated upon a bank getting a light for her pipe from a y...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady eating, Harunobu Suzuki, Woodblock Print, Japan

Lady eating, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady writing, Harunobu Suzuki, Woodblock Print, Japan

Lady writing, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Toyosumi, Harunobu Suzuki, Woodblock Print, Japan

Toyosumi, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady with arrows, Harunobu Suzuki, Woodblock Print, Japan

Seated lady with arrows, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady playing flute, Harunobu Suzuki, Woodblock Print, Japan

Lady playing flute, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady kneeling on rug, writing, Harunobu Suzuki, Woodblock Print, Japan

Lady kneeling on rug, writing, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Boat and raft on Sumida River during a storm

Boat and raft on Sumida River during a storm

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Sake drinking at chrysanthemum time, Harunobu Suzuki, Woodblock Print, Japan

Sake drinking at chrysanthemum time, Harunobu Suzuki, Woodblock Print,...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

An oiran standing in a room looking down upon a small boy who has fallen asleep, his head upon his arms which are folded across a mill for grinding ceremonial tea.  Through an open doorway thre is a glimpse of a garden.  The wheel of a court wagon  indicates that the subject of the print is an analogue of a scene in the life of Prince Genji

An oiran standing in a room looking down upon a small boy who has fall...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A samurai taking his young son to a shinto temple for the Miya Mairi ceremony of naming, accompanied by the child's mother and two maids

A samurai taking his young son to a shinto temple for the Miya Mairi c...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

A girl visiting a chrysanthemum show

A girl visiting a chrysanthemum show

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Yoshiwara women in a room in a joroya, playing the fan throwing game (tosen-kyo)

Yoshiwara women in a room in a joroya, playing the fan throwing game (...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Women brushing silkworm eggs from the cards into the feeding trays

Women brushing silkworm eggs from the cards into the feeding trays

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Chinzei Hachiro Tametomo, Shunsho Katsukawa

Chinzei Hachiro Tametomo, Shunsho Katsukawa

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Lady playing shell game (looking right)

Lady playing shell game (looking right)

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady with stringed instrument and books

Lady with stringed instrument and books

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Gazing at Fuji-san across the Sumida River

Gazing at Fuji-san across the Sumida River

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A young man performing the purification ceremony of hand washing at the chozubachi at the entrance to a Shinto  temple.  The chozubachi is inscribed "Otakara maye" (The front of the honorable treasures)

A young man performing the purification ceremony of hand washing at th...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

A young woman seated upon a bank getting a light for her pipe from a youth who stands bending forward toward her, on the road above.  Background of rice fields and a farmer's house

A young woman seated upon a bank getting a light for her pipe from a y...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Three Yoshiwara women on the veranda of a joroya, admiring the autumn full moon

Three Yoshiwara women on the veranda of a joroya, admiring the autumn ...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

A woman standing in a room reading the superscription of a letter held in her hand, and beside her on the floor, another woman holding a samisen.  Back of them through the open shoji the water of a lake is seen, with a bird upon the shore and another flying down

A woman standing in a room reading the superscription of a letter held...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Two salt-water carriers standing under a pine tree upon the shore

Two salt-water carriers standing under a pine tree upon the shore

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Kajiwara Genda Kagesuye mounted upon Yoshitsune's horse Surusumi, about to cross the river Uji

Kajiwara Genda Kagesuye mounted upon Yoshitsune's horse Surusumi, abou...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Seated lady looking right, Harunobu Suzuki, Woodblock Print, Japan

Seated lady looking right, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady playing koto, Harunobu Suzuki, Woodblock Print, Japan

Seated lady playing koto, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Nanamachi, Harunobu Suzuki, Woodblock Print, Japan

Nanamachi, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Seated lady reading book, second book on covered table

Seated lady reading book, second book on covered table

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Iris viewing and spring rain, Harunobu Suzuki, Woodblock Print, Japan

Iris viewing and spring rain, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Breezy day by the sea shore. 18th Century Japan. Public domain image.

Breezy day by the sea shore. 18th Century Japan. Public domain image.

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Kajiwara Genda Kagesuye mounted upon Yoshitsune's horse Surusumi, about to cross the river Uji

Kajiwara Genda Kagesuye mounted upon Yoshitsune's horse Surusumi, abou...

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

The middle class joro (chugi) Tachibana accompanied by another woman bearing an umbrella and followed by a maid servent

The middle class joro (chugi) Tachibana accompanied by another woman b...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

A man and two women at a tea house at Wada no Ura, overlooking the sea; the women seated upon wooden benches and the man adjusting the fastening of a straw sandal held in his hand

A man and two women at a tea house at Wada no Ura, overlooking the sea...

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

The fire buckets at the entrance gate to the Yoshiwara./Flowers

The fire buckets at the entrance gate to the Yoshiwara./Flowers

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began ... More

Lady crouching, hand to chin, Harunobu Suzuki, Woodblock Print, Japan

Lady crouching, hand to chin, Harunobu Suzuki, Woodblock Print, Japan

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Lady looking at large flower arrangement

Lady looking at large flower arrangement

Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from ... More

Ushiwaka (afterward called Yoshitsune) serenading Jururihimi, daughter of Kiichi Hogen.  Lef-hand sheet of a triptych

Ushiwaka (afterward called Yoshitsune) serenading Jururihimi, daughter...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

Murasaki Shikibu the celebrated poetess of the tenth century, seated on the veranda of a building overlooking Lake Biwa, composing the Genji Monogatari

Murasaki Shikibu the celebrated poetess of the tenth century, seated o...

Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number o... More

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