Veduta del Tempio di Antonino e Faustina in Campo Vaccino.
Summary
Public domain photo of Italian art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
A Collection Of Architecture Prints by Giovanni Battista Piranesi, 1748 - 1751
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
architecture
rome
rome italy
antiquities
temples
prints
the charrington set a collection of prints by giovanni battista piranesi
veduta del tempio di antonino e faustina
campo vaccino
charrington john 1856 1939 collector
piranesi giovanni battista 1720 1778 artist
piranesi giovanni battista 1720 1778 etcher
etchings
veduta
tempio
antonino
faustina
campo
vaccino
piranesi giambattista 1720 1778 graveur
piranesi
vatican
papal states
roman
high resolution
ultra high resolution
engraving
engravings
mediterranian architecture
church buildings
the miriam and ira d wallach division
new york public library
italian art
italy
Date
1600 - 1700
Contributors
Charrington, John, 1856-1939, Collector
Piranesi, Giovanni Battista, 1720-1778, Artist
Piranesi, Giovanni Battista, 1720-1778, Etcher
in collections
Source
New York Public Library
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")