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La Redowa polka danced by Madelle Cerito and Monsr. St. Leon.
La Redowa polka danced by Madelle Cerito and Monsr. St. Leon.
gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. at her Majestys Theatres, the courts of Paris & St. Petersburg. Arranged for the piano forte by C. W. Glover. Fleetwood's Lithography, N. Y.
gitana, (The new cachoucha), danced by Madlle Fanny Ellsler [sic], in the grand ballet La gitana. at her Majestys Theatres, the courts of Paris & St. Petersburg. Arranged for the piano forte by C. W. Glover. Fleetwood's Lithography, N. Y.
La Redowa polka danced by Madelle Cerito and Monsr. St. Leon
Polka: danzata dall'egregia artista, Signora Pia Ricci nel balletto Redova del Sig. Pasquale Borri
The cracovienne danced by Madlle Fanny Elssler in the grand ballet of The gypsy. Composed by N. C. Bochsa. Fleetwood's Lithogy.
El jaleo de Jeres (the new cachoucha), danced by Madlle Fanny Elssler in the grand ballet La gitana: at her Majestys Theatre, the courts of Paris & St. Petersburgh. Arranged for the piano forte, by C. W. Glover. [Lithograph by] W. K. Hewitt; N. Currier's Lithography, New York
La tarentelle composée par Rossini, dansée par Fanny Essler [sic] dans le ballet La tarentule. et arrangée pour le piano seul par A. Fessy
La redowatschka, rédowa-polka. dansée dans le ballet La vivandière par Mr. & Mme. St. Léon-Cerrito, arrangée pour le piano par Fréd. Rurgmüller [sic]
Summary
Public domain sheet music, notation, free to use, no copyright restrictions image - Picryl description
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.