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La tarentelle. composée par Rossini dansée par Fanny Essler [sic] dans le ballet La tarentule et arrangée pour le piano seul par A. Fessy.
La Taglioni waltz, arranged for the piano forte by W. H. Phipps
Mademoiselle Taglioni as she appears in Guillaume Tell, dancing the pas tyrolien: La Taglioni waltz for the piano forte, by W. H. Phipps
La tarentule as danced by Madlle. Fanny Elssler. arranged by Ch. Zuener. 2nd edition. [Lithograph] Thos. Sinclair's lith.
La cachucha. Dansée par Fanny Elssler, arrangée pour le piano avec accompt de castagnettes ad libitum par sala. Victor Coindre. Lith: de Magnier.
La tarentule as danced by Madlle. Fanny Elssler
La tarentule as danced by Madlle. Fanny Elssler
Valse orientale. composée pour le piano par A. Thys.
Mademoiselle Taglioni as she appears in Guillaume Tell, dancing the pas tyrolien: La Taglioni waltz for the piano forte, by W. H. Phipps
La tarentelle composée par Rossini, dansée par Fanny Essler [sic] dans le ballet La tarentule. et arrangée pour le piano seul par A. Fessy
Summary
Picryl description: Public domain image of a portrait of composer or musician, free to use, no copyright restrictions.
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Head tilted left hi-res stock photography and images - Alamy
- Raised right knee hi-res stock photography and images - Alamy
- File:La tarentelle composée par Rossini, dansée par Fanny Essler ...
- Knee le hi-res stock photography and images - Page 2 - Alamy
- Castanets hi-res stock photography and images - Page 21 - Alamy
- Tarentule hi-res stock photography and images - Alamy
- Tarentelle hi-res stock photography and images - Alamy
- La tarentelle hi-res stock photography and images - Alamy
- Pie izquierdo levantado fotografías e imágenes de alta resolución
- Tarentule fotografías e imágenes de alta resolución - Alamy