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Summary
Public domain photo of Italian art print or drawing, free to use, no copyright restrictions image - Picryl description
A Collection Of Architecture Prints by Giovanni Battista Piranesi, 1748 - 1751
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
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Tags
architecture
rome
arch of constantine rome italy
prints
the charrington set a collection of prints by giovanni battista piranesi
arco di costantino
ultra high resolution
high resolution
charrington john 1856 1939 collector
piranesi giovanni battista 1720 1778 artist
piranesi giovanni battista 1720 1778 etcher
etchings
arco
costantino
roma
piranesi giambattista 1720 1778 graveur
piranesi
roman
etching
engraving
engravings
the miriam and ira d wallach division
new york public library
italian art
Date
1748 - 1750
Contributors
Charrington, John, 1856-1939, Collector
Piranesi, Giovanni Battista, 1720-1778, Artist
Piranesi, Giovanni Battista, 1720-1778, Etcher
in collections
Architecture Prints, 1750
Giovanni Battista Piranesi: the complete etchings by John Wilton-Ely (1994); and Piranesi: early architectural fantasies, a catalog raisonné by Andrew Robison (1986) are the authoritative references used in cataloging this collection of etchings. Content: The collection includes a vignette by Louis-Joseph Le Lorrain, and a portrait of Piranesi by Francesco Polanzani.Italian Prints
Set of random Italian prints from NYPL collectionLocation
Source
New York Public Library
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")