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Sea Shore

Sea Shore

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Sea shore near Mount Lavinia Hotel, Colombo.

Public domain photograph of a postcard, historic place view, landmark, free to use, no copyright restrictions image - Picryl description
Ceylon -- Colombo. Mount Lavinia Hotel and sea shore.

Public domain photograph of a postcard, historic place view, landmark, free to use, no copyright restrictions image - Picryl description
Wâdy Useit. One can go down to the sea-shore by this valley, but the path is hardly passable for camels. There are clumps of stunted palms every here and there, and some brackish water.

Public domain image of Egyptian art, free to use, no copyright restrictions photo - Picryl description
Breezy day by the sea shore. 18th Century Japan. Public domain image.

Suzuki Harunobu (Japanese: 鈴木春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from More
Ulysses ploughing the sea shore

Picryl description: Public domain image of a rural landscape, horses, horse riding, farm animals, farmers, livestock, free to use, no copyright restrictions image.
Two women on the sea shore, one of them stooping to pick a blade of coarse grass growing at the water's edge. In the background are fishermen's thatched huts upon a point of land jutting out into the sea

Suzuki Harunobu (Japanese: 鈴木春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from More
Two women and a man at the sea shore watching chidori fly over the waves

Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
Two women and a boy on the sea shore opposite Enoshima

Utamaro was born in 1753 in Edo (Tokyo) and died in 1806. He is considered the leading Japanese printmaker and painter of bijin. Utamaro started his career as a student of the master painter Toriyama Sekien. Ut More
A young man and a group of salt water carriers on the sea shore

Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
A young man and a group of salt water carriers on the sea shore

Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
A young man and a group of salt water carriers on the sea shore

Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
Windmill, Long Island; Misty Morning. [Prints depicting lighthouse with houses along sea shore; sailboats at sea with seagulls].

Two pictures of a sailboat and a house on a lake. Two paintings of boats on a river. Public domain postcard scan.
Women on the sea shore opposite Enoshima

Public domain photo of Japanese woodblock print (Ukiyo-e), free to use, no copyright restrictions image - Picryl description
Women on the sea shore opposite Enoshima

Public domain photo of Japanese woodblock print, Ukiyo-e, free to use, no copyright restrictions image - Picryl description
Women on the sea shore opposite Enoshima

Public domain photo of Japanese woodblock print, Ukiyo-e, free to use, no copyright restrictions image - Picryl description
Gathering Seaweed. [Print depicting road to sea shore with house, trees, horse-drawn cart, and ships at a distance.]
Breezy day by the sea shore. 18th Century Japan. Public domain image.

Suzuki Harunobu (Japanese: 鈴木春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from More
Two women on the sea shore, one of them stooping to pick a blade of coarse grass growing at the water's edge. In the background are fishermen's thatched huts upon a point of land jutting out into the sea

Suzuki Harunobu (Japanese: 鈴木春信; c. 1725 – 15 July 1770) was the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu was from More