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La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni. [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni.: [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni. [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni. [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni.: [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
Madlle. Carlotta Grisi & Monsr. Petipa in the grand ballet of The peri. [Lithograph] C. G. & J. H. Lynch. Printed by M & N Hanhart.
Signor Pugni's ballet Eoline ou La dryade. No. 2, Mazurka d'extâse. Music composed by Signor Pugni, the ballet by Monsr. Perrot. [Lithograph by J. Brandard] M & N Hanhart Chromo Lith.
opera polka as danced by Mlle. Carlotta Grisi and Mons. Perrot. Arranged by Signor Pugni. 6th edition. [Lithograph] W. Sharp. W. Sharp's Lith.
Flora Fabbri (fac. sig.) as Mazourka in the ballet of The devil to pay. M. W. Child delt. J. Brandard. Printed by M. N. Hanhart.
La truandaise, danced by Mlle. Carlotta Grisi, in the grand ballet of Esmeralda, composed by Cesare Pugni. [Lithograph] J. Brandard. M & N Hanhart, Lith Printers.
Summary
Picryl description: Public domain photograph of a 19th-century costume, fashion, free to use, no copyright restrictions.
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.
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