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Js. H. D'Egville, esqr., director of the King's Theatre.
James Bruce of Kinnaird, Esq. From an original picture by Martin in the possession of Sir John Henderson of Fordel Bar't.
Charles-Émile Jacque - Portrait de M. J.J. Guiffrey.
Flier for Henry VIII starring Sir Herbert Tree, from New Amsterdam Theatre Shakespeare Tercentenary Festival
Edward Waldo Emerson, ALS to [Rev. James Freeman Clarke]. Oct. 29, 1867.
Edward Waldo Emerson, ALS to [Rev. James Freeman] Clarke. Sep. 22, 1882.
Henry C. Freeman - Public domain dedication image
Flier for Henry VIII starring Sir Herbert Tree, from New Amsterdam Theatre Shakespeare Tercentenary Festival
Flier for Henry VIII starring Sir Herbert Tree, from New Amsterdam Theatre Shakespeare Tercentenary Festival
Js. H. D'Egville, Esqr. Director of the King's Theatre. Engraved by Freeman from an original picture.
Summary
Public domain photo of art print, 18th century, free to use, no copyright restrictions image - Picryl description.
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.
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