Cartouche de forme écrasée, contenant un écusson vide
Summary
Public domain scan of Italian 17th-century print, free to use, no copyright restrictions image - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
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Tags
prints
italian old master prints
forme ecrasee
della bella stefano 1610 1664 printmaker
ultra high resolution
high resolution
italian master prints
engraving
florentine
stefano della bella
the miriam and ira d wallach division
new york public library
italian art
Date
1646 - 1646
in collections
Source
New York Public Library
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")