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Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rises to the heavens on his way to al-Masjid al-Aqsâ.

Muhammad at al-Masjid al-Aqsâ leads the earlier prophets and angels in prayer.

Muhammad, mounted on Burâq accompanied by Jibrîl and host angels, rises to the heavens on his way to al-Masjid al-Aqsâ.

Large opening initial with angel of Matthew. Border design with animals. Rubric and red placemarkers.

Full-page miniature, notes.

Opening of text, large painted initial with angel figure pasted in, rubric, placemarkers, hand 1.

Crucifixion with Four Angels

Change of hands: hand 1 on f. 9v, hand 2 on f. 10. Initials, rubrics, placemarkers. 1 woodcut on f. 9v, of Christ nailed to the Cross. 3 woodcuts on f. 10 (St. Paul; Guardian Angels; St. Catherine)

Fourth vision: God seated in glory with angels to either side, proclaims salvation; the archangel Michael fights the 7-headed dragon as devils are hurled by other angels from the sky. (Apoc. 12:7-12)

Eighth vision: John watches as the new Jerusalem is sent by God from heaven; an angel has carried John to a mountain where he shows John the holy city. (Apoc. 21:1-11)

Second vision: an angel shows John a vision of God in majesty, with symbols of the four evangelists, as the elders kneel in adoration.

Fifth vision: an angel announces judgment to men of many categories of life; another angel points to the city of Babylon falling to pieces.

Sixth vision: John sees seven angels with the seven plagues in jars, and seven angels holdings harps, and standing on a sea of glass shot through with fire.

Second vision: the Lamb of God surrounded by angels, and adored by the elders.

Eighth vision: as John watches, God in heaven sends a flowing river through the city of Jerusalem; John attempts to worship an angel who instead points to God. (Apoc. 22:1-9)

Third vision: angels hold back the four winds by covering the winds' blowing mouths; throngs, holding the palm branches of martyrdom, shout praise to the Lord.

Sixth vision: an angel pours out the second vial and the sea is filled with drowned men; an angel pours out the third vial turning the waters into blood; John listens as angels announce the judgment of God.

Seventh vision: an angel from heaven points to the destruction of Babylon; another angel takes up a stone, as it were a great millstone, and hurls it into the sea. (Apoc. 18:2-21)

Third vision: with the opening of the fifth seal, the souls of the martyrs under the altar cry out and receive white robes; with the sixth seal, stars fall from the sky, and naked peoples of the earth try to hide in caves in the mountains.

First vision: John writes his text while on the island of Patmos; the Son of Man, with sword in his mouth, amongst the seven candlesticks; angels with the seven churches.

Second vision: the Lamb of God surrounded by angels, and adored by the elders.

Sixth vision: one of the four living creatures (here as the lion of St. Mark) hands out vials containing seven plagues to angels; an angel pours out the first plague causing malignant sores to the bearers of mark.

Eighth vision: John writes on a scroll of the wedding feast of the Lamb; John at the feet of the angel; the Rider on a white horse, with a sword issuing from his mouth at the head of the armies of heaven; the Rider in the winepress. (Apoc. 19:9-16)

Eighth vision: John hears the vast throng shouting; Christ in Majesty with four beasts, angels and elders; wedding feast laid out on a table, on which the Lamb stands. (Apoc. 19:1-8)

Fourth vision: angels battle against the crowned beast from the sea; the beast, without crowns, blasphemes God for forty two months.

Sixth vision: an angel shows John the great harlot; John, depicted as if a small child carried by the angel, sees the bedizened harlot mounted on the beast with seven heads and ten horns. (Apoc. 17:1-4)

Sixth vision: an angel pours out the sixth vial on the Euphrates and dries the river; with the seventh vial, foul spirits, like frogs, come from the mouths of the dragon, the beast and the false prophet..

Sixth vision: an angel pours out the fourth vial on the sun, causing it to burn the people; an angel pours the fifth vial on the throne of the beast, and people bite their tongues in agony.

Rubric and full-page initial showing Jacob dreaming and the ladder of angels.

Text with rubrics and placemarkers. Miniature spread over two pages of a castle and angels killing people.

Full-page miniature of the expulsion from Paradise.

Miniature of Virgin and Child, opening of French text.

Annunciation to the Shepherds; large initial, border design, placemarkers.

Opening of text and miniature of descent from Cross; large initial and full border.

Madonna and Child being Crowned by Two Angels

Anthropomorphic initial.

The Virgin of Sorrows, seated among angels holding the implements of Christ's passion

[Head-piece.] Nobilissimi atq; Strenui Domini Joachimi â Sandrart in Stockaw, Serenisi mi Ducis Neoburgici Consiliari Vita atg opera [...] Argumentum.

[Plate. Top scene is group of men pointing out their shadows on the ground; bottom scene is artist using lamp to project shadows onto a wall.]

[Tail-piece. Nobilissimi atq; Strenui Domini Joachimi â Sandrart in Stockaw, [...] cont.]

[Head-piece.] Academiæ Picturæ Nobilis atque eruditæ pars prima, [...]

[Tail-piece.] Cap. XXIII, Academiæ Picturæ Nobilis.

Full-page miniature of Trinity.

Miniature of Virgin and Child enthroned and opening of French text.

[Santo Negro, portrait of San Beníto de Palermo, also known as St. Benedict the Moor.]

Mother and angels. 'Now Mama, give Holiday, ...' (Madonna del Altana, Willow-Grove, August 13, 1795)

Angel.

Les étrennes de Noël [above]; Ange revenant de la procession. Un domestique nègre rapportant la palme de son maître, le Dimanche des Rameaux [below].

Agar et l'Ange

Vignette-frontispice d'après Asselineau pour] Le paradis des gens de lettres [par Ch. Asselineau.]

[View in Greenwood Cemetery.]

The Angels await Thee. Greenwood.

[View in Greenwood Cemetery.]

Greenwood Cemetery. [Jas. G. Bennett's monument.]

The Angels await Thee. Greenwood.

Greenwood Cemetery. [Jas. G. Bennett's monument.]

Le Christ aux anges.

Church of Our Lady of the Angels, Los Angeles, California.

Church of Our Lady of the Angels, Los Angeles, California.

Only tired (my own song)

Only tired (my own song)

Only tired (my own song)

Only tired (my own song)

Only tired (my own song)

Only tired (my own song)

Columbia over all

Columbia over all

Columbia over all

Columbia over all

Little Jim

Little Jim

Little Jim

Little Jim

Little Jim

Little Jim

Blossoms unfading

Blossoms unfading

Blossoms unfading

Blossoms unfading

Blossoms unfading

Blossoms unfading

When Hunting Season Opens, Life Cartoons

Out in the Cold, Life Cartoons

Has she a heart?, Life Cartoons

Hope on!

Little black me

Hope on!

Little black me

Little black me

Little black me

Little black me

Little black me

Little black me

Little black me

Hope on!

Little black me

Little black me

Little black me

Little black me

Little black me