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Yuranosuke reading the letter on the veranda of the Ichiriki joroya and the spy Kudayu reading it while hidden below
Summary
Unlike almost any other Japanese printmakers, Koryūsai was a samurai. He was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area.
Koryūsai became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. In 1782 Koryūsai applied for and received the Buddhist honor hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature.
Koryūsai's known designs total 2500, or an average of four a week. Koryūsai may have been the most productive artist of the eighteenth century.
Charles Stewart Smith (1832-1909) was an art collector and businessman. As a businessman, Smith was a president, and director of the Associates Land Company, vice president and director of the City and Suburban Homes Company, treasurer and director of the Woodlawn Cemetery, trustee of Barnard College and director of the Fifth Avenue Bank, German Alliance Insurance Company, Greenwich Savings Bank, and Fourth National Bank. He was a member of the Union League, Lawyers, Players, Century, and Merchants Club. As an art collector, Smith was a trustee of the Metropolitan Museum of Art, Vice President of the Society of Art Collectors (558 Fifth Avenue, New York). In 1892, while traveling in Japan on his honeymoon with his third wife, he purchased several thousand Japanese prints, ceramics, and paintings from the British military man, journalist, author and collector Captain Frank Brinkley (1841-1912). In 1901 Smith donated 1,763 Japanese woodcut prints to the New York Public Library and the rest to The Metropolitan Museum of Art. Among these color woodcuts is a celebrated group of prints by Kitagawa Utamaro, as well as examples of the work of Harunobu, Koryusai, Sharaku, and Hokusai.
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