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Newest fashions for 1830, Italy

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Newest fashions for 1830, Italy

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Summary

Public domain scan of 19th-19th century print, free to use, no copyright restrictions image - Picryl description

During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

date_range

Date

1830
person

Contributors

Taglioni, Marie, 1804-1884 -- Portraits
Queen, consort of William IV, King of Great Britain, Adelaide, 1792-1849 -- Portraits
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Source

New York Public Library
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Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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taglioni marie 1804 1884
taglioni marie 1804 1884