Related
![TENTH BURNS ANNIVESARY [held by] SPRINGFIELD CALEDONIANS [at]](https://cache.getarchive.net/Prod/thumb/cdn6/L3Bob3RvLzE4OTMvMTIvMzEvdGVudGgtYnVybnMtYW5uaXZlc2FyeS1oZWxkLWJ5LXNwcmluZ2ZpZWxkLWNhbGVkb25pYW5zLWF0LWMyMzdiNS02NDAuanBn/40/47/webp "TENTH BURNS ANNIVESARY [held by] SPRINGFIELD CALEDONIANS [at]")
Stefano Della Bella - Cartouche encadrant un écusson vide
Summary
Public domain photograph of 3d object, free to use, no copyright restrictions image - Picryl Description.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
Date
1646 - 1646
Source
New York Public Library
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")
